Rick Price is probably the least-known member of the Move, if only because he never really established a well-defined musical (or personal) identity of his own, as the other members did. In the latter regard, Ace Kefford can be pigeonholed (fairly or not) as a drug/acid casualty, Roy Wood as a genius, Jeff Lynne as a pop genius, Trevor Burton as a frustrated rock & roller, the late Carl Wayne as a pop/rock crooner, and Bev Bevan as one of the two or three best drummers ever to come out of Birmingham. But who, apart from some really inquisitive Move fans, really knows anything about Rick Price? His most visible work from the most widely covered part of his career, the Rick Price & Mike Sheridan collaboration referred to as This Is to Certify: Gemini Anthology, released at the start of the 1970s, seems hardly to have sold at all in its own time. And since then, he's had to stand in the shadow of the similarly named Australian vocalist. .............................. An astonishingly good collection of the post-Move recordings of Rick Price, both solo and in his collaboration with Birmingham rock singer Mike Sheridan, originally cut for Gemini Records and released circa 1970. The music is an often appealing mix of psychedelia, pop/rock, and art rock, rather McCartney-esque at times but in the best possible way -- think of the production on "Martha My Dear" and "Your Mother Should Know," and the texture of the Move's "Beautiful Daughter" from the Shazam album and you've got the idea...is a vital addendum to the Move's history, and at least as essential listening as the first ELO album.[allmusic] .............................
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