- The Best of Times
- Days of Wine and Roses
- What's New?
- For All We Know
- The Very Thought of You
- (I Left My Heart) in San Francisco
- It's Impossible
- Where Do I Begin
- What Kind of Fool Am I?
- Without A Song
- Quiet Nights of Quiet Stars
- (They Long to Be) Close to You
- You Are the Sunshine of My Life
- I Think of You
- When I Need You
- For the Good Times
- The Most Beautiful Girl
- The Wind Beneath My Wings
Easy listening is back in fashion. To most serious collectors of music it was never out of fashion. The word easy and Perry Como are synonymous. He makes the art of singing effortless. To sing well, training, strength and control are needed. The less obvious qualities are those of magic and spirit. The combination of Como's charm and talent make the art of singing appear effortless.
On this collection of love songs Perry brings his special charisma to the more recent classics of the popular song. This set does not concern itself with just Perry's hits, although the million sellers "It's Impossible" and "I Think of You" are included. Here is Perry at his best, singing songs of love and romance for lovers young and old.
In his present day concert tours Perry always includes the latest classic "The Wind Beneath My Wings". This song could have been written especially for Mr. C. as this year he celebrates his 60th wedding anniversary with his wife Roselle.
What makes Perry so special as a singer? Mel Torme is quoted as saying, "Perry is technically one of the most immaculate singers in our business". When Perry sings a song you know that he has studied the lyric and understood the exact mood the writer wished to convey - whether the mood be joy, as in Jerry Herman's "The Best of Times", or pathos as in the Newley - Bricusse classic "What Kind of Fool Am I?". One of Perry's own favourite recordings is also included here, George Harrison's "Something".
If you are a Perry Como fan you will delight in this collection because some of his finest recordings are featured. If you are new to the Como experience then be prepared to have your appetite whetted and like Oliver cry out for more!
(Michael Dunnington, from original liner notes)
One of the most popular vocalists between the end of World War II and the rise of rock & roll in the mid-'50s, Perry Como perfected the post-big-band approach to pop music by lending his own irresistible, laid-back singing -- influenced by Bing Crosby and Russ ColumboВ -- to the popular hits of the day on radio, TV, and LP. Both his early traditional crooning style plus his later relaxed manner and focus on novelty material were heavily indebted to Bing Crosby, though Como's appeal during the early '50s was virtually unrivaled. Born in 1912 in Canonsburg, PA, Como was working as a singing barber in his hometown when he began touring with local bandleader Freddie Carlone at the age of 21. By the mid-'30s, he got his big break with Ted Weems & His Orchestra, who headed a popular radio show named Beat the Band. After the orchestra broke up in 1942, Como hosted a regional CBS
radio show later called Supper Club. The show's success gained him a contract with RCA Victor Records by 1943, and he also began working in Hollywood with Something for the Boys.
Perry Como's real big break came with the 1945 film A Song to Remember. His rendition of "Till the End of Time" spent ten weeks at the top of the charts and became the biggest hit of the year. Como's dreamy baritone worked especially well on ballads, such as the additional 1945-1947 number one hits "Prisoner of Love," "Surrender," and "Chi-Baba, Chi-Baba (My Bambino Go to Sleep)." Hired by NBC for another radio show in 1948, Como crossed over to the emerging medium of television that same year with the Chesterfield Supper Club. The show quickly took off, and eventually earned him four Emmy Awards. In the mid-'50s, Como began to indulge in light novelty fare, the titles often comprising nonsense words -- "Bibbidi-Bobbidi-Doo," "Hoop-Dee-Doo," "Pa-Paya Mama," and "Hot Diggity (Dog Ziggity Boom)." Though he often disliked the songs, they frequently became huge of the road pop.
Como's breezy songs had worked well at the beginning of the decade, but his appeal began to wane towards the end of the '50s, with the emergence of rock & roll and the wave of teen idols. His last number one hit, "Catch a Falling Star," came in 1958. Como was much less visible during the '60s, but returned in 1970 with his first live show in over two decades, and a world tour followed; a single ("It's Impossible") even made the Top Ten in late 1970. Como continued to record LPs and occasional television specials while making scattered appearances during the '70s and '80s. On May 12, 2001, Perry Como died in his sleep at his home in Florida. ~ John Bush, Rovi