There can be little argument that Chic was disco's greatest band; and, working in a heavily producer-dominated field, they were most definitely a band. By the time Chic appeared in the late '70s, disco was already slipping into the excess that eventually caused its downfall. Chic bucked the trend by stripping disco's sound down to its basic elements; their funky, stylish grooves had an organic sense of interplay that was missing from many of their overproduced competitors. Chic's sound was anchored by the scratchy, James Brown-style rhythm guitar of Nile Rodgers and the indelible, widely imitated (sometimes outright stolen) bass lines of Bernard Edwards; as producers, they used keyboard and string embellishments economically, which kept the emphasis on rhythm. Chic's distinctive approach not only resulted in some of the finest dance singles of their time, but also helped create a template for urban funk, dance-pop, and even hip-hop in the post-disco era. Not coincidentally, Rodgers and Edwards wound up as two of the most successful producers of the '80s.
Rodgers and Edwards first met in 1970, when both were jazz-trained musicians fresh out of high school. Edwards had attended New York's High School for the Performing Arts and was working in a Bronx post office at the time, while Rodgers' early career also included stints in the folk group New World Rising and the Apollo Theater house orchestra. Around 1972, Rodgers and Edwards formed a jazz-rock fusion group called the Big Apple Band. This outfit moonlighted as a backup band, touring behind smooth soul vocal group New York City in the wake of their 1973 hit "I'm Doin' Fine Now." After New York City broke up, the Big Apple Band hit the road with Carol Douglas for a few months, and Rodgers and Edwards decided to make a go of it on their own toward the end of 1976. At first they switched their aspirations from fusion to new wave, briefly performing as Allah & the Knife Wielding Punks, but quickly settled into dance music. They enlisted onetime LaBelle drummer Tony Thompson and female vocalists Norma Jean Wright and Alfa Anderson, and changed their name to Chic in summer 1977 so as to avoid confusion with Walter Murphy & the Big Apple Band (who'd just hit big with "A Fifth of Beethoven").
Augmented in the studio by keyboardists Raymond Jones and Rob Sabino, Chic recorded the demo single "Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)" and shopped it around to several major record companies, all of which declined it. The small Buddah label finally released it as a 12" in late 1977, and as its club popularity exploded, Atlantic stepped in, signed the group, and re-released the single on a wider basis. "Dance, Dance, Dance" hit the Top Ten, peaking at number six, and made Chic one of the hottest new groups in disco. Chic scrambled to put together their self-titled first album, which spawned a minor follow-up hit, "Everybody Dance," in early 1978. At this point, Wright left to try her hand at a solo career (with assistance from Rodgers and Edwards), and was replaced by Luci Martin. It was a good time to come onboard; "Le Freak," the first single from sophomore album C'est Chic, was an out-of-the-box smash, spending five weeks on top of the charts toward the end of 1978 and selling over four-million copies (which made it the biggest-selling single in Atlantic's history). Follow-up "I Want Your Love" reached number seven, cementing the group's new star status, and C'est Chic became one of the rare disco albums to go platinum.
The disco fad was fading rapidly by that point, however, and 1980's Real People failed to go gold despite another solid performance by the band. Changing tastes put an end to Chic's heyday, as Rodgers and Edwards' outside production work soon grew far more lucrative, even despite aborted projects with Aretha Franklin and Johnny Mathis. Several more Chic LPs followed in the early '80s, with diminishing creative and commercial returns, and Rodgers and Edwards disbanded the group after completing the lackluster Believer in 1983. Later that year, both recorded solo LPs that sank without a trace. Hungry for acceptance and respect in the rock mainstream (especially after accusations that they had ripped off Queen instead of the other way around), both Rodgers and Edwards sought out high-profile production and session work over the rest of the decade. Rodgers produced blockbuster albums like David Bowie's Let's Dance, Madonna's Like a Virgin, and Mick Jagger's She's the Boss. Edwards wasn't as prolific as a producer, but did join the one-off supergroup the Power Station along with Tony Thompson as well as Robert Palmer and members of avowed Chic fans Duran Duran; he later produced Palmer's commercial breakthrough, Riptide. Edwards also worked with Rod Stewart (Out of Order), Jody Watley, and Tina Turner, while Rodgers' other credits include the Thompson Twins, the Vaughan Brothers, INXS, and the B-52's' comeback Cosmic Thing.
Rodgers and Edwards re-formed Chic in 1992 with new vocalists Sylver Logan Sharp and Jenn Thomas, and an assortment of session drummers in Thompson's place; they toured and released a new album, Chic-ism. In 1996, the reconstituted Chic embarked on a tour of Japan; sadly, on April 18, Edwards passed away in his Tokyo hotel room due to a severe bout of pneumonia. Rodgers continued to tour occasionally with a version of Chic, and, in 1999, his Sumthing Else label issued a recording of Edwards' final performance with the band, Live at the Budokan. by Steve Huey (Allmusic)
01. Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) 02. Everybody Dance (12 Mix) 03. Strike Up The Band 04. Chic Cheer 05. Le Freak 06. I Want Your Love 07. Good Times 08. My Feet Keep Dancing 09. My Forbidden Lover 10. Soup For One 11. Savoir Faire
01. Chic Mystique 02. Your Love 03. Jusagroove 04. Something You Can Feel 05. One and Only One 06. Doin' That Thing to Me 07. Chicism 08. In It to Win It 09. My Love's for Real 10. Take My Love 11. High 12. M.M.F.T.C.F. 13. Chic Mystique (Reprise)
01. Rebels Are We 02. What About Me 03. 26 04. Will You Cry (When You Hear This Song) 05. Stage Fright 06. Real People 07. Hangin' 08. Give Me the Lovin' 09. At Last I Am Free 10. Just out of Reach 11. When Someone Loves You 12. Your Love Is Cancelled 13. Believer 14. You Are Beautiful 15. Flash Back 16. You Can't Do It Alone 17. Tavern On The Green
01. Bernard Introduction 02. Band Introduction 03. Le Freak 04. Dance Dance Dance (Intro) 05. Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) 06. I Want Your Love 07. Sister Sledge (Intro) 08. He's The Greatest Dancer 09. We Are Family (Intro) 10. We Are Family 11. Do That Dance 12. Good Times (Intro) 13. Good TimesRapper's Delight 14. Stone Free (Intro) 15. Stone Free 16. Chic Cheer 17. Backstage 18. Bernard #2
01. Dance, Dance, Dance (Yowsah, Yowsah, Yowsah) 02. Everybody Dance 03. Strike Up The Band 04. Le Freak 05. Savoir Faire 06. Chic Cheer 07. At Last I Am Free 08. I Want Your Love 09. Good Times 10. My Forbidden Lover 11. What About Me 12. My Feet Keep Dancing 13. Chip Off The Old Block
01. Rebels We Are 02. Real People 03. Will You Cry (When You Hear This Song) 04. 26 05. You Can't Do It Alone 06. Stage Fright 07. Just Out Of Reach 08. Flash Back 09. Your Love Is Cancelled 10. Soup For One 11. When You Love Someone 12. Hangin 13. Give Me The Lovin' 14. Believer 15. You Are Beautiful 16. Chic Mystique 17. I Want Your Love
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