Otis Taylor digs the past. Whether it's the songs he wrote a decade ago, or ancient civilizations that lived more than 10,000 years ago, he's drawn to stories from another time, and he's compelled to retell them in a way that's relevant in the modern day. On Clovis People, Vol. 3, Taylor writes his own history. It's the ideal project for the architect of a sparse and hypnotic style that has come to be known as "trance blues." Taylor has spent his career crafting songs that are wide open to interpretation -- thematically as well as structurally. "I give people a starting point, and then they can take it where they want to take it," he explains. "That's true for the people playing my music as well as the people listening to it. That's how art should be. A person looking at a painting should be able to interpret it in whatever way he wants. The more words you put into a song, the less freedom the listener has to decide what it means." The album title is inspired by a recent scientific discovery very close to Taylor's home in Boulder, Colorado. Barely 100 yards from the edge of his property, archeologists dug up a cache of tools and other implements belonging to a civilization known as the Clovis people, who walked the earth briefly about 13,000 years ago and then mysteriously disappeared. "I just thought it was a cool title," says Taylor. "I went back to my musical past with these songs. That's why I called it Volume 3. There really is no Volume 1 or 2. My music only goes back about ten years, but there's something about reaching back to an earlier time and revisiting the stories of the past from a new perspective that I find compelling."